Showing posts with label WW1. Show all posts
Showing posts with label WW1. Show all posts

Wednesday, June 21, 2023

About History: The humble Pigeon goes to War

First broadcast on BBC1 on October 5th, 1989, ‘Corporal Punishment’ is the second episode of ‘Blackadder Goes Forth’, which is the fourth series of the BBC sitcom ‘Blackadder’. In the episode, the eponymous ‘hero’ Captain Edmund Blackadder (Rowan Atkinson) faces a court-martial and is sentenced to execution by firing squad for shooting and eating a carrier pigeon. Not just any old carrier pigeon, but none other than ‘Speckled Jim’ the finest carrier pigeon in the British Army and General Sir Anthony Cecil Hogmanay Melchett's (Stephen Fry) ‘delicious, plump-breasted’ pet. Needless to say, a rollicking satirical farce ensues which rather overlooks the pivotal role of pigeons in war.

Homing pigeons have an uncanny ability to return home and so were used to take messages back to their loft or coop. The arrival of the railway system enabled these birds to be easily transported, which made long-distance pigeon racing hugely popular and led to the realisation that they could fulfil a military role. During the 19th century’s Franco-Prussian War (1870–71), besieged Parisians used carrier pigeons to transmit messages outside the city; in response, the besieging Prussian Army employed hawks to hunt them. The French military used balloons to transport homing pigeons past enemy lines. Microfilm images containing hundreds of messages allowed letters to be carried into Paris by pigeon from as far away as London. More than one million different messages travelled this way during the four-month siege. At the end of the 19th-century the British Admiralty introduced a pigeon service, but scrapped it in 1908. When the Great War began in 1914, Alfred Osman, founder of ‘The Racing Pigeon’ magazine, provided pigeons for fishing trawlers that were minesweeping the North Sea, as well as for ships and seaplanes of the Royal Naval Air Service (RNAS).

As the Great War progressed, pigeons continued to be released in emergencies to fly home with messages to pigeon lofts on the East coast. One illustrative example occurred in September 1917. After trying to intercept two Zeppelins, a DH 4 aircraft had to turn back to Great Yarmouth only to ditch in the North Sea. An H.12 Large America flying boat landed on the water and rescued the crew but then could not take off as the sea was too rough. Pigeon N.U.R.P/17/F.16331, one of four carrier pigeons released by the crew as they anxiously waited to be rescued, flew 50 miles back to the Norfolk coast carrying a message relaying the crew’s position. Sadly, he died of exhaustion in the attempt, but to commemorate his self-sacrifice, this plucky pigeon was preserved in a glass case at the flying boat station at Great Yarmouth. He now resides in the collection of the Royal Air Force Museum, Hendon in the same case that still sports a brass plague inscribed ‘A very gallant gentleman’ (above right).

Throughout World War I, and again in World War II, carrier pigeons flew messages back to their home coop behind the lines. When they landed, wires in the coop would sound a bell or buzzer alerting a soldier of the Signal Corps that a message had arrived. The soldier would go to the coop, remove the message from the canister attached to the bird’s leg, and then forward the message by telegraph, field phone, or messenger.

Aware that pigeons were carrying important messages, soldiers often tried to shoot them down making the bird’s role fraught with danger. One homing pigeons, a Blue Check cock named ‘Cher Ami’ (right), was awarded the French Croix de Guerre with Palm for delivering 12 important messages during the Battle of Verdun. On his final mission on October 4th, 1918, he was struck by either a bullet or shell fragment, which severed the right leg and cut across the breast, leaving the message capsule hanging off the tendons of the severed leg. Despite these injuries, the message providing Americans with the exact location of the surrounded men to aid in their relief was safely delivered. The US 77th Division’s ‘Lost Battalion’ was ultimately rescued on the evening of October 7th having incurred almost 70% causalities. By contrast, another less well remembered pigeon named ‘Spike’ flew 52 missions without receiving a single wound.

During World War II, the United Kingdom used about 250,000 homing pigeons for many purposes, including communicating with those behind enemy lines. Their value is perhaps best expressed by the 32 pigeons decorated with PDSA’s Dickin Medal [1], the highest possible decoration for valour given to animals.

The UK maintained the Air Ministry Pigeon Section during World War II and for a while thereafter until 1948 when pigeons were declared of no further use by the UK armed forces, Yet pigeons continued to have a role for a few year into the Cold War. Up until 1950, the UK maintained 100 carrier pigeons in preparation for any eventuality.

Reference:

Adkins, R. & Adkins, L. (2022), ‘Flying to Victory’, BBC History Magazine May 2022, p.39.

Endnotes:

1. The PDSA Dickin Medal (right) was instituted in 1943 in the UK by Maria Dickin to honour the work of animals in World War II. It comprises a bronze medallion, bearing the words ‘For Gallantry’ and ‘We Also Serve’ within a laurel wreath, carried on a ribbon of striped green, dark brown, and pale blue. It is awarded to animals that have displayed ‘conspicuous gallantry or devotion to duty while serving or associated with any branch of the Armed Forces or Civil Defence Units’. The award is popularly referred to as ‘the animals' Victoria Cross’.


Sunday, November 13, 2022

Dispelling Some Myths: 'Trench Art'


One of our favourite sources of entertainment and ideas for this Blog are derived from the BBC’s ‘Bargain Hunt’ television series. As regular viewers, and frequent visitors to antique centres, our knowledge of antiques and collectibles has improved no end over the last few years courtesy of the programme. For those unfamiliar with the show, it is an entertainment programme where two pairs of contestants are challenged to buy antiques from shops or a fair and then sell them in an auction for a profit. Fairly frequently contestants are drawn to decorated spent artillery shell cases which their guiding expert will, without doubt, call ‘Trench Art’. What then follows is the explanation that such objects were handcrafted by soldiers in the trenches of the First World War.

It is an image that appeals to modern notions of desolate soldiers whiling away their boredom and fear in the wet, muddy trenches at the Front making commemorative pieces to send back to their distant loved ones. While this is an emotive picture, it is one that is largely a fantasy. For starters, soldiers on both sides in the First World War did not spend all their time in the trenches. Describing the typical daily life experienced by soldiers in the Great War, Senior Curator at the British Library Paul Cornish wrote:

‘For the soldiers of the First World War fighting was an exceptional circumstance, rather than the norm. For many, life consisted of toiling to keep those at the front supplied. But the frontline troops themselves were rotated to ensure that time spent facing the enemy was balanced by periods of rest and, occasionally, home-leave. The determination of soldiers to keep fighting could be strongly influenced by the regularity of this rotation.’

Already the notion that ‘Trench Art’ was crafted by soldiers actually in the trenches is untenable. Yet before we look at who may have made these objects, how do we define ‘Trench Art’? What is it?

What is 'Trench Art'?

To be truly classed as ‘Trench Art’ an item’s manufacture should be directly linked to armed conflict or its consequences. According to the Imperial War Museum, however, ‘Trench Art is a misleading term applied to a wide variety of decorative items, sometimes also functional, produced during or soon after the First World War. They were made in all the countries engaged in combat. Ashtrays, matchbox holders, letter knives, model tanks and planes are typically found. Often they are re-purposed lead bullets, brass recovered from spent charge cases, and copper from shell driving bands, although carved wooden and bone pieces, and embroideries are also seen.’ 

While the practice certainly flourished during World War I, 'Trench Art' also describes souvenirs manufactured by service personnel during World War II. Moreover, the history of the practice spans conflicts from the Napoleonic Wars to the present day. For the historian, ‘Trench Art’ provides tangible evidence for the materials available to the makers and, on occasion, may offer insights into the maker’s feelings and emotions about the war. Yet few examples were fashioned literally in the trenches. Nor were all made by soldiers.

Who might have made ‘Trench Art’?

There are four broad categories of ‘Trench Art’:

Items made by soldiers  Some servicemen certainly did make ‘Trench Art’ as souvenirs for themselves or as gifts for friends and family. Most, however, probably bought objects from vendors well away from the Front. Of the former, it is probable that only the very smallest bone and wooden objects were created in the actual front line trenches. The daily routine (see InfoBox) for those troops in close proximity to the enemy most likely did not allow much time for handicrafts. One need also remember that soldiers would regularly rotate through a basic sequence of being deployed or fighting in the front line, followed by a period of time in the reserve or support line, then rest and recuperation miles behind the front.

The source of most soldiers ‘Trench Art’ is therefore much more likely to be workshop troops in rear echelon areas. They had the materials, machinery, skill and occasional spare time to do so. More importantly, money could be made selling souvenirs to soldiers transiting the rear on their way home.
Wounded and convalescing soldiers were encouraged to work at handicrafts involving wood, metal and embroidery as part of their rehabilitation. ‘Trench Art’ was also made ‘at home’ during the war by those awaiting call-up.

Items made by POWs and internees  A second category of ‘Trench Art’ consists of items made by prisoners of war and interned civilians. POWs had good reasons to make decorative objects: free time and limited resources. Much POW work was therefore done with the express intention of trading the finished article for food, money or other privileges. Examples of straw work or scrimshaw (scrollwork, engravings, and carvings done in bone or ivory) still survive that were made by French soldiers imprisoned in England during the Napoleonic Wars of the early 19th century.

Items made by civilians  In France and Belgium work to make souvenirs was also given to civilians displaced by the war. Those unemployed because of the fighting were quick to exploit a new market to make money. Embroidered postcards were produced in what quickly became a cottage industry, with civilians buying the surrounds and embroidering a panel of gauze. These postcards depicted regimental crests or patriotic flags and national symbols in abundance, and millions were produced over the course of the war.

At war's end, when civilians began to reclaim their shattered communities, a new market appeared in the form of pilgrims and tourists. Over the ensuing twenty years mountains of discarded debris, shell casings, and castoff equipment were slowly recycled, with mass-produced town crest motifs being stuck onto bullets, shell casings, fuse caps, and other paraphernalia to be sold to tourists.

One often overlooked civilian source of ‘Trench Art’ was the major department stores. In the immediate post-war period they offered to turn war souvenirs such as shell fuses, often brought back by soldiers, into wooden-based paperweights for example. If an ex-soldier had no wartime souvenir, then the department stores could oblige. This source may indeed explain how the bulkier ‘Trench Art’, such as dinner gongs and poker stands made from shell charge cases, which clearly would not have fitted in a soldier’s kitbag came to be so widespread.

Commercial items  The fourth and final category is purely commercial production resulting from the post-war sale of tonnes of surplus government materiel. Undoubtedly some of this was converted to souvenirs of the conflict. Ship breaking, particularly if the ship had been involved in significant events such as the Battle of Jutland, resulted in wood from the ship being turned into miniature barrels, letter racks, and boxes. The addition of small brass plaques announcing the military connection or historical significance made such items commercially viable.

'Trench Art' today

‘Trench Art’ continues to be made today. Across the world, and especially in Africa and the Middle East, civilians and former combatants re-fashion munitions and other war detritus to meet a tourist and export market. So, while it is tempting to think that an ancestor hand-crafted a piece of ‘Trench Art’ held by a family, that may not be the case. There was a large commercial trade during and after the war. Objects may have been bought by the soldier, or by a relative on a subsequent battlefield visit. Moreover, in Europe (most notably in France and Belgium), original First World War shell casings are still being re-worked to meet a growing trade.

References:

Cornish, P., (2014), ‘The daily life of soldiers’, British Library, Available online (accessed October 5th, 2022).
Imperial War Museum (www.iwm.org.uk), ‘Trench Art’, Available online (accessed October 5th, 2022).

Wednesday, October 12, 2022

On This Day: Nurse Edith Cavell executed as a Spy

October 12th, 1915: On this day, in the early hours of October 12th, 1915, a British national, still wearing her nurses’ uniform, was led out into a yard at Belgium’s national rifle range in Brussels. Alongside her was Phillipe Bancq, a Brussels-based architect. Shortly after dawn, two German firing-squads, each of eight men, were paraded in front of the pair. When ordered, the soldiers fired executing both Bancq and the British nurse - Edith Louisa Cavell.

She was born in Norfolk on December 4th, 1865. After training as a nurse in London, in 1907, Edith travelled to Brussels where she became Matron of the Berkendael Medical Institute, a pioneering training establishment for nurses in Belgium.  When the German Army invaded and occupied Belgium, the Institute became a Red Cross hospital, treating casualties from both sides. Nurse Cavell had been permitted to remain and continue her work by the occupying German forces.

The offence for which she was executed was for helping British soldiers trapped behind German lines after the Battle of Mons escape to neutral Holland. Clearly Cavell was guilty of aiding the enemy, as the Germans saw it, but the decision to shoot a nurse whose only crime was to help others was met with utter revulsion around the world including in the United States.

Cavell’s remains were returned to Britain after the war and a state funeral was held at Westminster Abbey. On May 19th, 1919, her body was reburied at the East side of Norwich Cathedral. A graveside service is still held there each October. 


Friday, November 26, 2021

Black Friday

On November 18th, 1910, three hundred female protesters marched to the Houses of Parliament as part of their campaign to secure voting rights for women. What happened next saw the women met with violence from the police and male bystanders. The shocking nature of the violence led to the day being christened ‘Black Friday’.

Genesis of the Suffragettes
  The demonstration was one of many orchestrated by the Women's Social and Political Union (WSPU), the organisation formed in 1903 by the political activist Emmeline Pankhurst. After the failure of a private member's bill to introduce the vote for women, the WSPU increasingly began to use militant direct action to campaign for women's suffrage [1]. The first such act was in October 1905 when, during a Liberal rally at the Free Trade Hall, Manchester, Christabel Pankhurst and Annie Kenney interrupted a political meeting attended by Winston Churchill and Sir Edward Grey to shout: ‘Will the Liberal government give votes to women?’ After unfurling a banner declaring ‘Votes for Women’ and shouting, they were thrown out of the meeting and arrested for causing an obstruction. Pankhurst was taken into custody for a technical assault on a police officer after she spat at him to provoke an arrest. Refusing to pay the fines levied against them, they were sent to prison [2].

According to the historian Caroline Morrell, from 1905 the ‘basic pattern of WSPU activities over the next few years had been established - pre-planned militant tactics, imprisonment claimed as martyrdom, publicity and increased membership and funds’ [3]. By 1906 WSPU members adopted the name ‘suffragettes’ to differentiate themselves from the ‘suffragists’ of the National Union of Women's Suffrage Societies, who employed constitutional methods in their campaign for the vote. Interestingly, the label of suffragette was first used in an article by Daily Mail journalist by Charles E. Hands. According to Elizabeth Crawford, a researcher and author on the women's suffrage movement, the intention of the ‘ette’ suffix was ‘to belittle and to show that they were less than the proper kind of suffrage worker…but they took up the name and were very proud of it’ [4].

During the January 1910 general election campaign the Prime Minister and leader of the Liberal Party, H. H. Asquith, promised to introduce a Conciliation Bill to allow a measure of women's suffrage in national elections. When returned to power he went so far as to form a committee of pro-women's suffrage MPs from several political parties. The committee proposed legislation that would have added a million women to the franchise. Unsurprisingly, the suffrage movement supported the legislation. Although MPs backed the bill and passed its first and second readings, Asquith refused to grant it further parliamentary time. On November 18th, following a breakdown in relations between the House of Commons and House of Lords over the 1910 budget, Asquith called another general election, and said that parliament would be dissolved on November 28th.

Betrayal
  The WSPU saw the move as a betrayal and organised a protest march to parliament from Caxton Hall in Westminster. Lines of police and crowds of male bystanders met three hundred female protestors outside the Houses of Parliament; the women were attacked for the next six hours. Many women complained about the sexual nature of the assaults. Police arrested four men and 115 women, although the following day all charges were dropped. The conciliation committee were angered by the accounts, and undertook interviews with 135 demonstrators, nearly all of whom described acts of violence against the women; 29 of the statements included details of sexual assault. Calls for a public inquiry, however, were rejected by the Home Secretary Winston Churchill.

The demonstration led to a change in approach. Many members of the WSPU were unwilling to risk similar violence, so they resumed their previous forms of direct action, such as stone-throwing and window-breaking, which afforded time to escape. The police also changed their tactics; during future demonstrations they tried not to arrest too soon or too late.


At a demonstration in October 1909, at which the WSPU again attempted to rush into parliament, ten demonstrators were taken to hospital. The suffragettes did not complain about the rising level of police violence. Constance Lytton wrote that ‘the word went round that we were to conceal as best we might, our various injuries. It was no part of our policy to get the police into trouble’ [5] The level of violence in suffragette action increased throughout 1909: bricks were thrown at the windows of Liberal Party meetings; Asquith was attacked while leaving church; and roof tiles were thrown at police when another political rally was interrupted. Public opinion turned against the tactics and, according to Morrell, the government capitalised on the shifting public feeling to introduce stronger measures. Thus, in October 1909, Herbert Gladstone, the Home Secretary, instructed that all prisoners on hunger strike should be force fed [6].

Turning point  In 1912 the suffragettes turned to using more militant tactics and began a window-smashing campaign. Some members of the WSPU, including Emmeline Pethick-Lawrence and her husband Frederick, disagreed with this strategy but their objections were ignored by Christabel Pankhurst. The Government’s response was to order the arrest of the WSPU leaders. While Christabel Pankhurst escaped to France, the Pethick-Lawrences were arrested, tried and sentenced to nine months' imprisonment. On their release, the Pethick-Lawrences began to speak out publicly against the window-smashing campaign, arguing that it would lose support for the cause. Unsurprisingly, as they were effectively challenging the WSPU’s leadership, the Pethick-Lawrences were expelled from the movement.


The suffragette campaign escalated to target infrastructure, government, churches and the general public. Activists continued smashing windows but now the places frequented by the wealthy (typically men), such as cricket pavilions, horse-racing pavilions, churches, castles and second homes, were targeted for arson attacks. Initially these properties were burnt and destroyed while they were unattended, to lessen the risk to life but, as the WSPU evolved into what is a recognisable terrorist organisation, incendiary attacks were supplemented by a wider bombing campaign. On February 19th, 1913, for example, Pinfold Manor in Surrey, which was being built for the Chancellor of the Exchequer, David Lloyd George, was targeted with two bombs. While only one device exploded, causing significant damage, in her memoirs, Sylvia Pankhurst said that Emily Davison had carried out the attack [8].

During the WSPU’s most militant years from 1910 to 1914 [7], Parliamentary Papers record the use of improvised explosive devices, letter bombs, arson using 'incendiary devices', assassination attempts and other forms of direct action and violence such as postbox burning telegraph cable cutting and artwork destruction (including an axe attack upon a painting of The Duke of Wellington in the National Gallery). In a six-month period in 1913 [8] there were 250 arson or destruction attacks, and in April the newspapers reported ‘What might have been the most serious outrage yet perpetrated by the Suffragettes’:

‘Policemen discovered inside the railings of the Bank of England a bomb timed to explode at midnight. It contained 3oz of powerful explosive, some metal, and a number of hairpins - the last named constituent, no doubt to make known the source of the intended sensation. The bomb was similar to that used in the attempt to blow up Oxted Railway Station. It contained a watch with attachment for explosion, but was clumsily fitted. If it had exploded when the streets were crowded a number of people would probably have been injured.’

At least five people were killed (including one suffragette), and at least 24 were injured (including two suffragettes). Given that the WSPU’s bombing campaign saw devices planted in churches, packed train carriages, halls and stations, it seems incredible that more people were not hurt. Fortunately for the intended victims the home-made bombs tended to fizz, splutter and smoke, unlike modern, refined explosives that detonate instantly, and thus gave people time to get away.

World War One  Only at the outbreak of World War One was the escalating militancy of the suffragettes finally curbed. In August 1914, the British Government released all prisoners who had been incarcerated for suffrage activities on an amnesty. Soon after the mainstream suffragette movement, represented by the Pankhurst's WSPU, ended all militant suffrage activities [9]. Those more familiar with the lifecycle of terrorist groups will not be surprised to discover that a more extremist element, represented by Sylvia Pankhurst's Women's Suffrage Federation, split from the WSPU determined to continue the struggle. Regardless, women eagerly volunteered to take on many traditional male roles which would lead ultimately to a new perception of social roles. The suffragettes' focus on war work turned waning public opinion in favour of women’s eventual partial enfranchisement in 1918 [10].

Suffragette success?
  It is still debated what impact the activities of the suffrage movements, especially the suffragettes, and the Great War had on women's emancipation. The consensus of historical opinion is that the militant campaign was not effective [11]. In May 1913 an attempt made to vote through a bill in parliament to introduce women's suffrage actually did worse than previous attempts, something which much of the press blamed on the increasingly violent tactics of the suffragettes [12]. Indeed, it seems that the impact of the WSPU's violent attacks drove many members of the general public away from supporting the cause, and some members of the WSPU itself were also alienated by the escalation of violence, which led to splits in the organisation. So, with the suspension of the WSPU’s militant campaign suspended at the outbreak of war in 1914, the aim of gaining votes for women was still unrealised. The WSPU had failed to create the kind of ‘national crisis’ which might have forced the government into concessions [13].

In contrast, the suffragists of the National Union of Women's Suffrage Societies (NUWSS), who had always employed ‘constitutional’ methods, continued to lobby for women’s right to vote during the war years. In the aftermath of the Great War, millions of soldiers returning home were still not entitled to vote. This simple fact posed a problem for British politicians. How could they be seen to withhold the vote from the very men who had just fought to preserve the British democratic political system? Although it is unlikely the enfranchisement of women was in recognition of their contribution to the war effort, the compromises worked out between the NUWSS and the coalition government [14] led to the Representation of the People Act 1918, an attempt to solve the dilemma. The Act was passed into law by Royal Assent on February 6th, 1918, enfranchising all adult males over 21 years old who were resident householders. It also gave the right to vote to women over the age of 30 who met minimum property qualifications [15]. Overnight some 8.4 million women were enfranchised [15]. Later that year, in November, the Parliament (Qualification of Women) Act 1918 was passed, allowing women to be elected to parliament [15]. Even so, it would take a further ten years before women in Britain finally achieved suffrage on the same terms as men. The Representation of the People Act 1928 finally extended the voting franchise to all women over the age of 21, thereby granting women the vote on the same terms that men had gained ten years earlier.

The terrorism controversy  Both the suffragettes themselves and police spoke of a ‘Reign of Terror’ referring to the arson and bomb attacks as ‘terrorism’; a view echoed in newspaper headlines such as the Pall Mall Gazette’s ‘Suffragette Terrorism’ [16]. Indeed, Emmeline Pankhurst called the militancy ‘continued, destructive guerrilla warfare against the Government’ in contemporary suffragette pamphlets. There is no doubt that in her own words, Pankhurst acknowledged the WSPU possessed all the hallmarks of what we would today define as a terrorist group.

Yet there is some indication that in later years the suffragettes made a co-ordinated attempt to remove references to their most violent acts from published memoirs. Cultural historian Dr Fern Riddell has extensively investigated the scrapbook of one suffragette, Kitty Marion (pictured right). The scrapbook contained stories of her hunger strikes, arson attacks, prison escapes, and reports of bombings where the attacker is not identified. Interestingly, while Kitty Marion is frank about her arson attacks, she is coy about the bombs [16]. Significantly, from Riddell’s hours of research a little-known history of the suffragettes began to emerge.

Reportedly, when Riddell first began to speak out publicly about Kitty Marion's violent record, she faced a backlash from some suffragette historians. At least one claimed Riddell’s research was 'shameful' and should 'not continue'. Other historians were more defensive saying that there had been no widescale whitewashing of suffragette memory. Yet in schools we frequently encounter a highly sanitised version of suffragette history ignorant of its very obvious terrorist credentials. Few teachers or their pupils are familiar with the idea of suffragette bombers or even that they were called terrorists at the time.

In the 1930s, the Suffragette Fellowship, responsible for compiling the sources on the movement often used by later historians, decided that they were not going to mention any of the bombings in any of the sources [18]. This is understandable as it would protect former suffragettes from prosecution, but it was also an attempt to step away from the violent rhetoric and to change the cultural memory of the suffragette movement [18]. Yet with the release of many official sources on suffragette violence from the archives, a different interpretation is being revealed.

Modern interpretation
  Today we are probably less familiar with the suffragists than the suffragettes. Largely this is because the latter’s campaign of ‘Deeds not Words’ epitomises the power of propaganda and media manipulation to maximise the ‘oxygen of publicity’ that radicals, like the suffragettes, need to survive and prosper. So, it is remains controversial, and contrary to the movement’s own account of its history, and the version more recently championed by descendants of the Pankhursts, to contend that the WSPU was not entirely blameless for the violence on Black Friday. Any objective study of the suffragette movement ought to consider the similarities between the WSPU and likeminded activist groups who often evolve towards radicalism and increasingly violent action.

While radicalism poses a threat, extremism, particularly terrorism, is the main concern of governments since it involves active subversion of democratic values and the rule of law [19]. It is easy to see how forceful individuals desiring radical change, like Emeline Pankhurst, can become frustrated with the perceived lack of progress. In general, those who feel left behind and resent injustice are more prone to becoming radicalised. Significantly, the evolution from radical to terrorist thrives in environments characterised by a shared sense of injustice, exclusion and real or perceived humiliation. Kinship, friendship, group dynamics and socialisation all trigger an individual’s association with radicalisation, and all these factors were clearly inherent within the WSPU.

Radicalisation  Disaffected individuals in groups such as the WSPU will characteristically follow different paths to different levels of radicalisation. So, understanding the origins of violent radicalisation means recognising that terrorist groups consist of different types of disaffected individuals from a variety of social backgrounds [19][20]. The decision to use violence, however, characteristically involves a smaller number of radicalised individuals within a specific group. In these terms, it is easy to see parallels displayed by the Pankhurst’s leadership and within the wider suffragette movement.

Acts of terrorism are usually how its perpetrators, lacking mass support, attempt to realise a political or religious objective [21]. Terrorism generally involves a series of punctuated acts of demonstrative public violence, followed by threats of continuation intended to impress, intimidate and/or coerce target audiences. In the case of the suffragettes, the obvious political cause was obtaining votes for women, and the WSPU’s progression from militancy to direct action and of violence have all the hallmarks of an evolution toward terrorism. By any official definition, the WSPU was a terrorist organisation. Sadly the legacy of the suffragette campaign was to inspire the later arson, bombing and terrorist campaigns adopted by the Irish Republican Army (IRA) in Great Britain.

Positive outcomes  Eight years after Black Friday and 1918 proved to be a significant year. In the post-war ‘land fit for heroes’ many of the social barriers that had pervaded Victorian and Edwardian Britain had been irrevocably broken. In this context, and although a small step towards universal suffrage, giving women over the age of 30 the right to vote was most likely symptomatic of changing social mores. A year later the Sex Disqualification (Removal) Act of 1919 made it illegal to exclude women from jobs because of their sex. Yet in the very same year, the Restoration of Pre-War Practices, meant that men should be given priority in employment. Many women found themselves pushed back into the home, back into caring roles for husbands many bearing the physical and mental scars from the fighting.

The clock could not be turned back entirely, however. Women in Britain, and further afield, had found new independence and had shown themselves and the rest of society that they could do jobs that before the Great War would have been unthinkable. In 1918 women's emancipation had taken its first steps on a long road.

Endnotes:

1. Holton, S.S., (2017), ‘Women's Social and Political Union (act. 1903–1914)’, Oxford Dictionary of National Biography, Oxford University Press, Available on-line (accessed October 22nd, 2021).
2. Pankhurst, C., (1959), ‘The Story of How we Won the Vote’, Pethick-Lawrence, F. (ed.), London: Hutchinson.
3. Morrell, C., (1981), 'Black Friday': Violence Against Women in the Suffragette Movement, London: Women's Research and Resources Centre.
4. BBC News, (2018), ‘100 Women: Suffragists or suffragettes - who won women the vote?’, Available on-line: https://www.bbc.co.uk/news/world-42879161 (accessed October 22nd, 2021)
Crawford, E., (2003), ‘The Women's Suffrage Movement: A Reference Guide 1866-1928’, London: UCL Press.
5. Lytton, C., (1914), ‘Prisons & Prisoners: Some Personal Experiences’, London: Heinemann.
6. Morrell, C., (1981), 'Black Friday': Violence Against Women in the Suffragette Movement, London: Women's Research and Resources Centre.
7. Atkinson, D., (2018), ‘Rise up, women! : the remarkable lives of the suffragettes’, London: Bloomsbury, pp. 187 - 510.
8. Porter, I., (2013), ‘Suffragette attack on Lloyd-George’, London Town Walks, Available on-line (accessed November 28th, 2021).
9. Purvis, J., (1995a), ‘The Prison Experiences of the Suffragettes in Edwardian Britain’, Women's History Review 4 (1), pp. 103 - 133.
10. Jones, J. G., (2003), ‘Lloyd George and the Suffragettes’, National Library of Wales Journal 33#1, pp. 1 - 34.
11. Bearman, C. J., (2005). ‘An Examination of Suffragette Violence’, The English Historical Review 120 (486), pp. 365 - 397.
12. Webb, S., (2014), ‘The Suffragette Bombers: Britain's Forgotten Terrorists’, Pen and Sword.
13. Rosen, A., (2013), ‘Rise Up, Women!: The Militant Campaign of the Women's Social and Political Union, 1903-1914’, London: Routledge. pp. 242–245.
14.Cawood, I. and McKinnon-Bell, D., (2001), ‘The First World War’, London: Routledge, p. 71.
15. Fawcett, Millicent Garrett, The Women's Victory – and After, Cambridge University Press, p. 170.
16. Mohan, M., (2018), ‘Kitty Marion: The actress who became a “terrorist”’, BBC News, Available on-line (accessed November 26th, 2021).
17. Riddell, F., (2018), ‘Death in Ten Minutes: The forgotten life of radical suffragette Kitty Marion’, Hodder & Stoughton.
18. "Books interview with Fern Riddell: "Can we call the suffragettes terrorists? Absolutely", HistoryExtra, Available on-line (accessed November 28th, 2021).
19. Reinares, F., (2008), ‘Radicalisation Processes Leading to Acts of Terrorism’, European Commission's Expert Group on Violent Radicalisation.
20. This report, published by the European Commission, analyses empirical facts on violent radicalisation, recent academic literature and the link between external conflicts and violent radicalisation. More research on individuals who join terrorist groups, terrorist recruitment, indoctrination and training, and types and development of current radicalisation processes, would inform future state response strategies.
21. According to the Security Service (MI5) ‘terrorist groups use violence and threats of violence to publicise their causes and as a means to achieve their goals. They often aim to influence or exert pressure on governments and government policies but reject democratic processes, or even democracy itself.’