Wednesday, December 18, 2024

Dispelling Some Myths: Animals roamed Medieval streets


Despite the best efforts of historians, the internet is still awash with misconceptions about the Middle Ages. Many of these ideas were the product of Victorian writers and historians reflecting Mediæval life through the lens of their own society, as was done by antiquarians before them and by historians since. However, after more than a century in popular culture, and being taught in schools, these sometimes broad, sweeping assertions remain deeply rooted in everyday consciousness. This is especially so when repeatedly reinforced online, in social media, on television and in the movies. Before addressing one such notion, it is worth remembering that the Mediæval period lasted roughly 1,000 years during which peoples’ lives and experiences varied a lot according to time, place and circumstance. So, with that in mind, did animals really wander the streets of Mediæval England unchecked?

Livestock in the street  It is a popular scene in films, television dramas and documentaries for animals to be portrayed freely roaming the streets of Mediæval towns and cities. It is not unusual to witness a clucking, agitated chicken scurrying out of a character’s path for example.  Admittedly the unconstrained roving of chickens, cats and some other animals are more difficult to restrict, but less of a problem on a farm or in a rural setting. It might be beneficial for cats to have free range to hunt unwanted pests – mice and other rodents for example – to protect food stores from damage or being eaten. Indeed, this was most likely the principal reason humans welcomed cats into their homes. But in a crowded town or city people largely tried to avoid animals roaming freely by imposing rules and laws to counter that behaviour. Correspondingly, the popular image seems at odds with the idea that livestock was valuable, and that owners would not wish their animals to be harmed, or for them to stolen or simply lost. Besides, just like us Mediæval people did not want to see their property or streets covered in excrement. Indeed, in 1298 the abbot of St Mary’s in York complained to King Edward I about the stench pervading the streets of the Bootham area north of York Minster. In his complaint he blamed pigsties along the lanes, swine wandering about the streets and dung heaps. Significantly, the abbot’s grievance was upheld by the court which ordered local bailiffs to destroy the pigsties and ban pigs from feeding or wandering unattended.

Around the same time, roughly 200 miles south, it is documented that City of London authorities also ordered the removal of pigsties in the streets and commissioned four “swine killers” to find and eliminate any pigs roaming the main roads. As encouragement, the four men were paid half the proceeds of the sale of each carcass. Clearly 13th-century England had a pig problem.

Since animal husbandry began, people have kept pigs for one simple reason: to eat them. Other creatures were more useful alive - chickens laid eggs, cattle produced milk or drew ploughs, horses could be ridden or pulled carts, mules and donkeys were likewise beasts of burden. But pigs were most valuable as a source of fats or meat (especially salted bacon for preservation through winter) crucial to the Mediæval diet. Thus, pigs were a part of everyday life and raising pigs in the back garden of Mediæval homes was a common practice. Jørgensen quotes that in Reading in 1297, thirty of 102 taxed households owned pigs. Almost all of them had one or two animals clearly for personal consumption (Jørgensen, 2024, 64). However, as the populations of towns and cities increased, so did the number of urban pigs leading local authorities to realise that the animals and those keeping them needed controlling.

While the abbot in York complained of the stench, the commonest grievance in the 14th-century was about their location of pigsties. Records reveal that pigs (and other livestock) were generally kept in pigsties or pens, but these were often built too close to roads, over drainage ditches or next to a neighbour’s wall or property (Jørgensen, 2024, 65). Not only that but Mediæval pigs could be dangerous there being documented cases of damage to houses and gardens, attacks on people, bodies exhumed from graveyards and even children killed. Jørgensen quotes an entry in the city of Norwich’s Book of Customs that clearly reveals people’s concern with the dangers (Jørgensen, 2013, 429-451):

“Whereas great injuries and dangers so often have happened before this time in the City of Norwich and still happen from day to day in as much as boars, sows and pigs before this time have gone and still go vagrant by day and night without a keeper in the said town, whereby divers persons and children have been hurt by boars, children killed and eaten, and others [when] buried exhumed, and others maimed, and many persons of the said town have received great injuries as wrecking of houses, destruction of gardens of divers persons by such kind of pigs upon which great complaint is often brought before the said Bailiffs and Community imploring them for remedy on the misfortunes, dangers and injuries which have been done to them.”

Norwich Book of Customs, AD 1354

The experiences of the citizens of Norwich were echoed in other Mediæval town records that indicate pigs were tightly controlled. The most obvious solution was to ban pigs from the streets as one of the earliest town ordnances from York reveals. Dated to 1301, this particular byelaw decreed no one was permitted to let their pigs roam the streets by day or night. Later it was revised specifying that pigs were not allowed on York’s city walls, in its market streets, in alleys, on the bridge over the River Ouse, or on its quay. Those breaking the law risked fines and as mentioned before, officials who discovered offending animals could kill them and sell the carcass while also receiving part of the fine.

Yet, the animals had to be released regularly from their pigsties if for no other reason than to clean out the pens. Some byelaws established that mucking out of manure was to be done each Saturday to coincide with the weekly round of the municipal waste cart. Moreover, animals destined for sale at livestock markets or destined for the butchers had to be moved. Pigs were herded communally in nearby woods and fields, or wherever they would not cause too much damage, by swineherds engaged to supervise them. Similarly, town administrators paid swineherds to collect pigs from householders and take them out to graze. According to a 14th-century animal husbandry handbook “Seneschaucy”, owners were only encouraged to provide food directly to their herd during severe frosts. The rest of the time, pigs should find their own food in forest, wood pasture, marsh, or untilled fields (Jørgensen, 2013, 387-399). In these circumstances, employing swineherds to manage this makes eminent sense.

Despite some recorded instances of unruly pigs running amok, this was not the norm. Similarly, town ordinances reminding owners about the rules governing animal management only appear infrequently in the 250 years between AD 1250 and 1500. As Jørgensen notes: “Roaming pigs were considered out of the ordinary and unacceptable. Despite the swine-fuelled problems experienced in cities such as York and London, most people were minding their pigs on an everyday basis” (Jørgensen, 2024, 65).

Bon appétit!

References:

Jørgensen, D. (2013), “Running Amuck? Urban Swine Management in Late Medieval England”, Agricultural History 87, available online (accessed 2nd December 2024).

Jørgensen, D. (2013), “Pigs and Pollards: Medieval Insights for UK Wood Pasture Restoration”,  Sustainability, 5(2), 387-399.

Jørgensen, D. (2024), “Pigs in the Medieval City”, BBC History magazine (October), London: Immediate Media.


Wednesday, December 11, 2024

The spear’s endearing simplicity has seen it adopted by virtually all cultures and societies across the globe. Indeed, the history of the spear is [almost] as old as that of homo sapiens where it has been used as a tool for hunting and/or fishing. Along with the club, knife, and axe, it is one of the earliest and most widespread tools ever developed by early humans. Even after the invention of other hunting weapons such as the bow and sling, the spear continued to be used, either gripped in the hand or thrown as a missile. Throughout human history spears have also seen widespread use as weapons. Wielded with either one or two hands, they have seen action in nearly every conflict up to the modern era where, even now, the spear’s descendent is the bayonet fixed to the muzzle of military rifles.

Origins

The Clacton Spear,  or Clacton Spear Point and the Schöningen spears found in present-day England and Germany respectively are evidence that wooden spears have been used for hunting since at least 400,000 years ago. All that survives of the former, currently housed in the Natural History Museum in London, is the wooden tip which was discovered in Clacton-on-Sea in 1911. It is the oldest known worked wooden implement dated to 420,000 years ago. Named for where they were found, the Schöningen spears are a set of ten wooden weapons from the Palaeolithic Age that were recovered between 1994 and 1999 from an open-cast lignite mine. They were found together with animal bones and stone and bone tools. Most of the spears were crafted from the trunks of slow-growing spruce trees, except for spear IV which is made from pine. The complete spears vary in length from 1.84 to 2.53 m (6.04 to 8.30 ft), with diameters ranging from 29 to 47 mm (1.14 to 1.85 in). The wood was debarked and tapered to make a point at each end, the exception is Spear VI which does not appear to taper at the back. The evidence of tapering suggests that the Schöningen spears (except Spear VI) may have been designed to be thrown much like a modern javelin. Experimental research has shown that experienced athletes are capable of throwing replicas of Spear II a distance of at least 15 to 20 m (49 to 66 ft). The exception is Spear VI which has a natural kink and does not taper at the back and, thus, is interpreted as a thrusting spear. Although thought to be javelins, the Spear II replicas have also been experimentally tested as thrusting spears demonstrating that these early wooden spears were probably used for both thrusting and throwing.

Hunting

The adoption of the Clacton and Schöningen spears not only would have provided a degree of personal protection for the wielder but also the opportunity to hunt larger animals for food. One of the dangers for hunters, however, is getting close enough to kill their intended prey without becoming a casualty themselves. There is evidence in the archaeological record that early humans preyed on large ungulates such as mammoths where, given the size and strength differential between human and mammoth, the risk of being trampled or gored by the animal’s tusks would have made hunting a risky business. Thus, the first spears were probably devised so that early humans could mitigate the risk of being injured by their prey by increasing, albeit slightly, the safe distance.

Hunting wild boar, for example, has always been a potentially dangerous business for those armed with anything other than firearms. Boar, especially in the defence of their piglets, can be particularly aggressive greatly increasing the risk of injury to the hunter. Consequently, boar spears often have two “lugs” or “wings” fitted to the spear socket below the blade (as pictured) intended to prevent the spear from penetrating too deeply into the quarry where it might get stuck or break. Moreover, the lugs are also intended to stop an injured and furious boar from working its way up the shaft of the spear to attack the hunter. On the early Mediæval battlefield the winged spear was originally a Frankish weapon, but it was also popular with the Norse (or “Viking”) warriors. It would become the ancestor of later polearms, such as the partisan and spontoon.

Simple design  Whether for hunting or fighting, spears can be divided into two broad categories: those designed for thrusting as a melee weapon and those designed for throwing as a ranged weapon, the latter usually being called darts or javelins. In both cases the advantage gained is to keep your opponent or prey at a safer distance. To confuse matters slightly, however, the Roman pilum (pl. pila), a well-known example of a javelin, could be used as a thrusting weapon in hand-to-hand combat just as the archetypal Roman spear (Latin: hasta) could be thrown at an opponent. Regardless, within this simple classification, there was a remarkable range of spear types; far too many to detail them all. So, for the sake of brevity, spears are polearms with a relatively simple design comprising a haft or shaft, usually of wood, that terminates with a pointed head and sometimes a butt-spike or ferrule at the other end. As stated, there are far too many variants of bladed polearms to warrant an in-depth discussion. Even so, the typical spear’s principal components are:

  • Haft  Ideally the haft of a spear is straight to facilitate more accurate thrusts or throws. While there are historical examples of all metal spears, such as the Iberian Soliferrum [1], the vast majority of spear hafts were made of wood, preferably with the grain running the length of a haft without lateral faults. Cornel and Ash were favoured wherever and whenever available because the close grain provides strength especially in compression when striking a target. Handgrips on spears were largely unnecessary and thus rare. Indeed, when fighting with a spear, it is advantageous to be able to slide the haft through the hands to strike an opponent with the spearhead or recover the spear to the guard position.
  • Spearhead  In its simplest form the spearhead was the sharpened end of the haft itself. Such spears might be fire-hardened to remove moisture from the wood by being charred over or directly in a fire or a bed of coals. The resulting change to the wood’s structure and material properties makes the point more durable and efficient as a tool or weapon. The fire-hardening process was first developed by early hominids at least 400,000 years ago, long before either flint or stone points were made. It may be done before, during, or after the fashioning of the wooden tip, but the process can make the wood brittle. Nevertheless, it substantially reduces the time needed to make a hardened spearpoint.

Before long, fire-hardening was superseded by attaching a separate point to the haft, most likely of sharpened animal bone or antler. Multiple prongs, with or without barbs, made useful fishing spears or harpoons. From circa 200,000 BC onwards, however, Middle Palaeolithic humans began to make complex stone blades with flaked edges, typically of flint but also obsidian. These blades could be fixed to the spear haft by gum or resin or by bindings made of animal sinew, leather strips or vegetable matter. 

The advent of metallurgy meant stone and bone tips were gradually replaced first by copper and then cast bronze blades. In turn, these spearheads were supplanted by the harder wearing, hammer forged iron, and eventually steel, blades. The most common design for hunting and/or warfare, since ancient times has incorporated a spearhead shaped like a triangle, diamond, or leaf. Most medieval spearheads were generally leaf-shaped, although a notable exception was the early medieval angon, a throwing spear with a long head like the Roman pilum, used by the Franks and Anglo-Saxons.

  • Butt-spike  Many spear designs incorporated “butt-spikes” or “ferrules”; simple cone-shaped additions to the rear end of the haft, which may have had several uses:
    • Firstly, the butt-spike could be planted in the earth when not in use so that the spear could be easily retrieved its user. Doing so meant the spearhead need not be thrust into the ground avoiding its edge being blunted or damaged and reducing the likelihood of a ferrous metal blade rusting.
    • A spearman could wield the butt-spike in a melee alternating attacks between it and the spearhead as necessary.
    • Likewise, should the haft break near the spearhead or the blade is damaged, then the spike is a useful back-up.
    • In a block of spearmen only the first few ranks could project their spearpoints to threaten an enemy. To protect the formation from, say, arrows, those men in subsequent ranks are often shown porting their spears forward at an angle creating a hedge of spears above the heads of their fellow spearmen. This carrying position also allows spears to be easily and quickly lowered to the attack as necessary. Moreover, as the formation advances, the spearmen would have to step over or around any fallen opponents. Those in the subsequent ranks, it is surmised, were in an ideal position should they wish to use their butt-spikes to despatch fallen enemies.
    • Most significantly, a weighty butt-spike would act as a counterweight allowing a longer spear to be employed; a topic to be covered shortly.

The long and the short  The main functional variation in spears is their overall length which, coincidentally, is also their main advantage over other weapons. To be useful in battle, a spear must be long enough to keep sword, axe and mace-users at bay. Were a spear to be as short as a sword, then one should favour the latter since the swords ability to cut and thrust makes them, in trained hands, more versatile in a fight. Precisely how long a spear might be is not always so easy to determine. Evidence can be obtained by comparing the length of spears depicted in artworks with the assumed average size of the men carrying them. Yet the reliability of images is questionable since the spears may be shortened so a statue can fit within a building’s pediment. The length of a spear carved on a relief may be reduced to fit the available space in a given frieze. Similarly, the painted band of decoration encircling a vase or the available space on another painted ceramic object may dictate length. Several archaeological examples have been recovered from graves or comparable excavations, but even then the evidence for spear length may prove inconclusive. The organic material - the wood of the spear haft - does not always preserve well whereas the metal components may survive. Yet, the measured distance between the surviving spearhead and any butt-spike can only ever be a guide and not proof of the spear’s original length. It is always possible that a long spear was broken to fit in the grave as it seems unlikely anyone would expend time and energy digging a grave long enough to facilitate the deposition of a 3 m long spear alongside the interned no matter how high status the person may have been in life. Far easier and simpler to break the spear in two. Indeed, there is archaeological evidence for breaking or rendering weapons unusable. This may mean such weapons were made worthless to anyone other than the deceased or, in a more ritualistic sense, may have been meant to break the weapon’s perceived “power”.

From the pictorial, written, and archaeological evidence the overall length of most spears it seems averages at about the height of the spearman, or perhaps just slightly longer. This is significant because in the ancient world most combatants carried a shield for self- and collective defence. It stands to reason that if one side is being showered with arrows or sling-stones by its opponents, then anyone without a shield is very vulnerable. Thus shields were adopted by ancient armies across most cultures (especially those in the ancient Mediterranean world) such that it became the norm for spearmen to enter battle carrying a protective shield in one hand and a spear in the other. Consequently, wielding a spear one-handed limited its practical length. From practical experience, and with training, it is feasible to wield a 2.4 m (8 ft) long spear in one hand to make accurate, powerful thrusts and to parry an opponent’s attacks. Any longer and the weapon becomes far too unwieldy, even for strongest spearmen, and necessitates using a two-handed grip. Interestingly, this does seem to accord with contemporary historical accounts and supported by, albeit limited, archaeological findings. For example, Greek hoplites of the Classical period (5th- and 4th-centuries BC) seem to have favoured 2.4 m to 2.5 m (around 8 ft) long spears, which the Greek historian and geographer Herodotus insists were longer than those of the Persians (see above right).

Ancient Greeks

The use of both a single thrusting spear and two throwing spears are mentioned as the preferred weapons of the warriors in Homer's Iliad [2]. Written, it is thought, in the late 8th-century BC, this epic poem suggest two styles of combat were evident. The earlier style, dating to the Mycenaean period (approximately 1750 BC to 1050 BC) in which the Iliad is set, favoured thrusting spears in contrast to throwing spears of a later style which, anachronistically, appears to be from Homer's own Archaic period (c. 800 BC to 480 BC).

Sometime in the 8th- or 7th-century BC, a large, circular, bronze-faced shield (aspis) was introduced by the city of Argos. Widely adopted across the Greek speaking world (Greek: Hellas), the aspis made possible the introduction of a new close-order infantry formation, the phalanx (pl.: phalanxes or phalanges). Evidence of this innovation is provided by the Chigi vase, dated to c. 650 BC, represents hoplites armed with aspis, spear, javelins, and other aspects of their panoply. The hoplite phalanx dominated warfare among the Greek City States from the 7th- into the 4th-century BC. Hoplites during this period equipped themselves with an aspis and a 2.1 m to 2.7 m (7–9 ft) spear (doru or dory) with an iron head (aichme) and bronze butt-spike (sauroter). 

Sarissae

The 4th-century BC saw major changes in Greek warfare with a greater reliance on light infantry called peltasts (Greek: πελταστής, peltastes) armed with spear and javelins, and the development of the sarissa (Koine Greek: σάρισσα, pl. sarissae), a long spear or pike about 5 m to 7 m (16 to 23 ft) in length [3]. Introduced by Philip II of Macedon, sarrissae equipped his Macedonian “phalangites” and replaced the earlier, considerably shorter hoplite dory. These longer spears improved the strength of the phalanx by extending the rows of overlapping weapons projecting towards the enemy which, in turn, kept the latter at a greater distance. After the conquests of Alexander the Great, the sarissa was a mainstay during the Hellenistic era (4th– to 1st-centuries BC) by the Hellenistic armies of the successor states of Alexander's empire, as well as some of their rivals.

The great length of the sarissa was balanced by a counterweight at the rear end, which also functioned as a butt-spike, allowing it to be planted in the ground. However, the sheer length and weight of the weapon meant phalangites, already less heavily armoured than their hoplite forebears, had to wield it with both hands. This meant they could only carry a smaller shield, with an overall diameter of perhaps around 600 mm (24 in) in Alexander's era, for self-defence. The phalangite bore his “pelta” by passing his left arm through integral straps within the bowl-shaped shield. The pelta probably retained handling straps to be gripped like a (smaller) aspis if the fight progressed to sword-wielding. As both hands were needed to control the sarissa, a neck strap may have been used to help support the shield and protect the left shoulder. However, this dictated that the sarissa had to be held underhand so the shield would not obscure the phalangite's vision as it would if held overhead.

While marching and manoeuvring, sarissae were held vertically. Once they were levelled ready for battle, the phalanx could advance straight forward, initially in a more open formation to aid movement. As phalanx closed on the enemy, however, the spacing between its files would be reduced into a close formation or even a compact formation (synaspismos). This tightened formation created a “wall of spearpoints” with the sarissae of the first three to five ranks able to be brought to bear on the enemy. Should an opponent get past the first row, there were still four more to stop them. As for the earlier hoplite phalanx, the back rows bore their sarissae angled upwards and forwards in readiness which, as previously mentioned, also served the additional purpose of deflecting incoming arrows. 

The steadily advancing Macedonian phalanx was considered practically invulnerable from the front, but it did have its weaknesses. Uneven ground, natural or manmade obstacles such as streams, rivers, ditches, trees or hedgerows could break up the formation’s cohesion exposing the phalangites to counterattack. Indeed, the best way to defeat the Macedonian phalanx was generally by one of a loss of morale from killing the enemy commander, breaking its formation, or outflanking it since turning the phalanx to face a new threat required comprehensive training and discipline. For example, during the Battle of Cynoscephalae (197 BC) when an unnamed Roman tribune realised his force was positioned at the exposed rear of the disorganised   Macedonian right wing detached 20 maniples of Roman infantry (approximately 2,500 men) and sent them into the rear of the phalanx. Being quickly cut down due to the inflexibility of the formation, the Macedonian phalanx disintegrated. Some were simply killed where they stood, others pointed their sarissae directly upwards in a sign of surrender that the Romans either ignored or failed to understand. The slaughter continued until stopped by the intervention of the Roman commander, Titus Quinctius Flamininus. It is generally perceived that this defeat, and that experienced in the later Battle of Pydna (168 BC), demonstrated the superiority of the Roman manipular legion [4] over the Antigonid Macedonian phalanx. The phalanx, though very powerful head on, was not as flexible as the Roman Republican-era manipular formation and thus unable to adapt to changing conditions on the battlefield or break away from an engagement if necessary.

Ancient Romans

The sarissae-armed phalanx, supported by peltasts (light infantry) and cavalry, had been the dominant mode of warfare among the Greeks from the late 4th-century BC onward until Greek military systems were supplanted by the Roman manipular legions. A Roman legion of this period was organised into four lines divided by experience with the younger soldiers at the front and the older soldiers further back. From front to rear these were the velites, the hastatii, the principes, and the triarii.   According to Polybius, the most complete and likely the most accurate account, the legion consisted of 10 maniples of 120 hastatii, 10 maniples of 120 principes, and 10 half strength maniples of triarii containing 60 men each.  Together with 1,200 velites and 300 cavalrymen, a legion numbered 4,500 men, although in times of great need this might be reinforced up to 5,000.

In the opening stages of a battle the velites would deploy in front of the legion to screen the army's size and its formation from enemy eyes. The second and third echelons (hastatii and principes respectively) generally formed up with a one maniple space between each maniple and its neighbours. When battle was joined, the velites would engage the enemy with javelins to disrupt the latter’s formation but if pressed the velites would retire behind the remainder of the army through the spaces left between the maniples without disrupting the army’s cohesion. The withdrawal of the velites allowed the first lines of heavy infantry formed by the hastatii, the younger and least experienced soldiers, to engage the enemy. Where resistance proved too strong the hastatii would also withdraw through the lines of principes thereby presenting the enemy with fresh, more experienced Roman legionaries. If necessary, the principes could yield to  the battle hardened triarii, the veteran soldiers with the most experience. At this point in battle, the maniple greatly resembled the phalanx.

Apart from allowing rotation of troops, the gaps between the manipular system also proved invaluable against enemy phalanxes providing the Romans with a major tactical advantage against their Greek foes. As we have seen, to maintain its hedge of spears the phalanx required rigid battle lines that could not easily break into smaller units. Gaps in the maniples thus lured hoplites in and disrupted their formation after which they became disorganized, surrounded, and easy prey for Roman swords. Having discharged their pila (Latin: sing. pilum), the heavy javelins specifically designed to be thrown at an enemy to pierce and foul the target's shield, both hastatii and principes resorted to their primary weapons of a short cut-and-thrust sword (Latin: gladius; pl. gladii) and large oval shield (Latin: scutum; pl. scuta). As the focus is on spears it is worth noting that the principes were originally armed with a short spear called a hasta (Latin: pl. hastae), but these gradually fell out of use, eventually being replaced by the pilum. The triarii, however, continued to use the hasta very reminiscent of the hoplite dory.

From the late 2nd-century BC, all legionaries were equipped with the pilum, which continued to be the standard legionary polearm until the end of the 2nd-century AD. By contrast, men in the Auxiliary cohorts seemingly favoured the hasta although the use of javelins or darts was entirely possible. During the 3rd-century AD, although the pilum continued in use, legionaries were equipped with other forms of throwing weapons such as short javelins (verruta or lanceae) or darts known as plumbatae. Thrusting spears similar to those of the auxilia of the previous century became more prevalent to counter the threat posed by invaders who possessed a developed culture of cavalry warfare. By the 4th-century, the pilum had effectively disappeared from common use.

Early Mediæval continuation

Even after the collapse of the Western Roman Empire nearly all Western European cultures continued to arm their warriors with spear and shield. During the Early Mediæval period (c. AD 476 to c. AD 1000) spears were far more common than swords and axes principally because they needed less smithing skill than a sword and were cheaper to manufacture; most of the spear-tip was wrought iron with only a small amount of hardened steel needed to retain sharpened edges. Although often portrayed with an axe or a sword in hand, most Viking warriors were armed with spears, as were their Anglo-Saxon, Irish or continental contemporaries.

After 1066, the Normans and their successors spurred a resurgence in mounted warfare. The spears used by cavalry, however, remained comparable with the contemporary infantry spears, the latter largely unchanged from earlier weapons as previously described. The panel from the Bayeux Tapestry pictured illustrates the similarities with infantry and cavalry spears at the Battle of Hastings (AD 1066). The spears wielded by the Normans during the battle appear to have an average length within the range of 1.8 m to 2.4 m (6 ft to 8 ft). As shown, they are also depicted on the Bayeaux Tapestry being held overhead in one hand presumably to strike at opponents protected by a shield-wall. In the 12th-century, after the adoption of stirrups and a high-cantle saddle, the spear lengthened once more to become a decidedly more powerful weapon - the lance. A mounted knight would couch his lance by holding it with one hand and tucking it under the armpit. When combined with a lance rest, all the momentum of the horse and rider could be focused on the weapon's tip while still retaining control and accuracy. Training to use the lance effectively was perfected in the Mediæval sport of jousting. 

Revival

Tactical developments in the 14th-century meant knights and men-at-arms more often fought on foot. Consequently, the cavalry lance was shortened to around 1.5 m (5 ft) to make it more manageable in hand-to-hand combat until, that is, specialist polearms were adopted. At about the same time an evolution in metal-working techniques facilitated the manufacture of larger plates of armour that could be shaped to encompass and better protect the body. To counter improved defences, weapons such as poleaxes or halberds that combined the thrusting properties of the spear with the cutting properties of the axe were adopted. Where spears were retained, they again grew in length evolving into “pikes”, the descendent of the ancient Macedonian sarissae. During the Wars of Scottish Independence in the late 13th- and early 14th-centuries, for example, the dominance of lance-armed English cavalry meant foot soldiers were increasingly vulnerable to massed cavalry charges. The lowland Scots revived a spear formation, most famously at the Battle of Bannockburn in 1314, that they called a “schiltron”. The first specific mention of this formation, however, appears to be at the Battle of Falkirk in 1298 where William Wallace's army employed circular schiltrons. Essentially a static, wholly defensive formation, at Falkirk the shiltron was fortified by driving stakes into the ground before the men, with ropes between. The British military historian Sir Charles William Chadwick Oman describes the formation thus:

“The front ranks knelt with their spear butts fixed in the earth; the rear ranks levelled their lances over their comrades heads; the thick-set grove of twelve foot spears was far too dense for the cavalry to penetrate.”

Wallace’s circular shiltron was essentially immune to attacks by mounted men-at-arms providing they obligingly threw themselves at the spear wall and, critically, the foot soldiers remained steady when facing a formidable and terrifying cavalry charge. Closely packed pike formations were especially vulnerable to enemy archers and crossbowmen, however. At Falkirk the English and Welsh archers, crossbowmen and slingers began raining projectiles with impunity on the inexperienced and poorly armoured Scottish spearmen. With no defences and nowhere to hide, the schiltrons were an easy target. Pinned in place by the English cavalry and infantry, unable to retreat or attack, the battle was lost for the Scots almost as soon as the first arrows began to strike. Observant to King Edward I's command, the English army simply waited until the Scottish ranks were sufficiently weakened and disordered. The English then attacked the wavering Scottish spearmen, and the schiltrons broke and scattered. Unfortunately for Wallace, the first recorded use of the schiltron by a Scottish army had failed in the face of a combination of English and Welsh longbowmen, and English cavalry.

In response to this crushing defeat, Robert the Bruce’s new tactic at the Battle of Bannockburn (1314) was to employ rectilinear formations which, unlike the circular schiltron, were capable of both defensive and offensive action. Although it required the Scots to be highly disciplined, the Bruce had drilled his troops in the offensive use of the pike. Moreover, he was able to select ground to his army’s advantage. Robert chose a flat field flanked by woodland known as New Park for his camp south of Stirling Castle but overlooking a stream known as the Bannock Burn. The trees offered protection to his foot soldiers from the English, especially their cavalry. Bannockburn was unusual in that it lasted two days whereas most Medieval battles were short-lived, lasting only a few hours. The first day had been proved inconclusive but overnight the English crossed the Bannock Burn establishing their position on the plain beyond it. Not long after daybreak on the second day, the English king Edward II was surprised to see the Scottish pikemen advancing from the cover of the New Park woods towards his position. The English were gradually pushed back and ground down by the Scots' schiltrons. Unlike at Falkirk the English longbowmen were unable to effectively engage the advancing Scots or support their own knights for fear of friendly fire. When the English and Welsh longbowmen attempted to flank the advancing Scots, they were repelled by the Scottish cavalry. Hemmed in by the Bannock Burn, the English cavalry could not manoeuvre and, unable to hold their formations, they broke. It quickly became clear that the English had lost the battle. Edward fled with his personal bodyguard and panic spread among the remaining troops, turning the defeat into a murderous rout. From the carnage of Bannockburn, the rest of the army tried to escape to the safety of the English border, 90 miles (140 km) south. Many were killed by the pursuing Scottish army or by the inhabitants of the countryside they passed through.

Defence or offence?

Mediæval pike formations seemingly had better success when employed in an aggressive manner. Yet, this required considerable tactical cohesiveness or suitable terrain to protect the formation’s vulnerable flanks, especially from attacks by mounted men-at-arms. At the Battle of Stirling Bridge (1297) the Scots exploited the terrain and the momentum of an aggressive charge to overrun an English army while the latter were crossing a narrow bridge. A year later the unwieldy nature of the long pike probably encouraged William Wallace to adopt a more deliberate, defensive use. The Scots learned the lessons of both Falkirk and Stirling Bridge and Robert the Bruce’s employment of better-trained troops capable of using the pike in an aggressive attack arguably won the day at Bannockburn. The schiltrons had proved their offensive worth.

As the Macedonian phalanx had proved centuries before, as long as it kept good order, a pike formation could roll right over enemy infantry. Even so, it did have weaknesses. Over uneven ground or in the face of determined resistance, formations could become disordered leading to a confused melee for which pikemen were often ill-equipped and disadvantaged. Moreover, the men in a phalanx or pike block all advanced facing in a single direction. They had difficulty turning quickly or easily to protect the formation’s vulnerable flanks or its rear. Consequently, pike formations sought to have supporting troops who could protect their flanks or would manoeuvre to counter an enemy’s outflanking attempt.

Pike and shot

The development of both the long, two-handed pike and gunpowder firearms in Renaissance Europe saw an ever-increasing focus on integrated infantry tactics. In the aftermath of the Italian Wars, from the late 15th-century to the late 16th-century, most European armies had adopted the use of the pike, often in conjunction with primitive firearms such as the arquebus and caliver, to form large pike and shot formations.

The quintessential example of this development was the Spanish tercio, which consisted of a large square of pikemen, as well as traditional men-at-arms and small, mobile squadrons of arquebusiers moving along its perimeter. These three elements formed a mutually supportive combination of tactical roles: the arquebusiers harried the enemy line, the pikemen protected the arquebusiers from enemy cavalry charges, and the men-at-arms, typically armed with swords and javelins, fought off enemy pikemen when two opposing squares made contact.

Pikes would be a dominant infantry weapon in the 16th- and 17th-centuries but the percentage of men armed with firearms in Tercio-like formations steadily increased as firearms technology improved. On the battlefield, however, the musketeers lacked protection against enemy cavalry so smaller pike formations were used, invariably, to defend them. During the English Civil War (1642–1651) the New Model Army (1646–1660) initially had two musketeers for every pikeman. By 1697 (the last year of the Nine Years' War) the post-Restoration English Army’s infantry battalions fighting in the Low Countries still had two musketeers for every pikeman organised in the now traditional style of pikemen five ranks deep in the centre, with six ranks of musketeers on each side.

End of an era 

From the middle of the 17th-century to the early 18th-century the use of pikes declined as the flintlock musket proliferated in most European armies. Compared to the earlier matchlock musket, the flintlock meant a trained musketeer had a faster rate of fire than ever before, incentivising a higher ratio of shot to pikes on the battlefield. The pike’s decline was hastened further with the introduction of the plug bayonet in the 1680s. The plug bayonet (pictured below left) did not immediately replace the pike, however. Its use required the soldier to insert the bayonet’s tapered “plug” into the musket’s muzzle thereby surrendering his ability to shoot or reload. The socket bayonet that followed in the 1690s solved that issue by being securely fitted over the muzzle. By the mid-1700s most European armies had adopted the socket bayonet (pictured below right) which, by adding a long blade of up to 600 mm (24 in) to the end of the musket, allowed the musket to act as a spear-like weapon when presented in both hands towards an opponent.

Although clearly lacking the full reach of pikes, bayonets were an effective defence against cavalry charges, usually the main threat to musketeer formations. Less reliance on pikes also allowed armies to greatly expand their potential firepower by giving every infantryman a firearm. Put simply, pikemen were no longer needed to protect musketeers from cavalry. Furthermore, improvements in artillery incentivised most European armies to abandon large formations in favour of multiple staggered lines, both to minimize casualties and to present a larger frontage for volley fire. Thick hedges of bayonets proved to be an effective anti-cavalry solution, and improved musket firepower was now so deadly that combat was often decided by shooting alone.

Ultimately, the spear proper was rendered obsolete on the battlefield although a shortened version known as the half-pike or spontoon (pictured earlier) was still carried by officers of various ranks into the 19th-century. Originally a weapon, it became a badge of office more likely used to direct troops rather than fight. During the Napoleonic Wars [5] sergeants in the British Army carried the spontoon to defend the battalion or regimental colours from a cavalry attack. Later the rank of Colour Sergeant [6] would be created to reflect this prestigious role. Within the Royal Navy the half-pike, sometimes known as a boarding pike, was retained on warships to repel boarding parties until the late 19th-century.

Bon appétit!

Endnotes:

1. Soliferrum or Soliferreum (Latin: solus, “only” + ferrum, “Iron”) was the Roman name for an ancient Iberian ranged polearm made entirely of iron. Called a Saunion by the Iberians, it was a heavy javelin designed to be hand-thrown to a distance up to 30 m.

2. From Wikipedia: The Iliad, "[a poem] about Ilion (Troy)", is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the Odyssey, the poem is divided into 24 books and was written in dactylic hexameter. It contains 15,693 lines in its most widely accepted version. Set towards the end of the Trojan War, a ten-year siege of the city of Troy by a coalition of Mycenaean Greek states, the poem depicts significant events in the siege's final weeks. In particular, it depicts a fierce quarrel between King Agamemnon and a celebrated warrior, Achilles.

3. The actual length of the Macedonian sarissa is unknown but may have been twice as long as the dory. If so, this means sarissae were at least 4.3 m (14 ft) long, but 5.5 m(18 ft) appears more likely.

4. The Maniple (Latin: manipulus; literally “a handful [of soldiers]”) was the tactical unit of the Roman Republican armies, adopted in 315 BC during the Samnite Wars (343 BC to 290 BC). Cohorts (Latin cohors, pl.: cohortes), generally comprising 480 legionaries in six centuries each of 80 fighting men, replaced maniples as the Roman Army’s organisational units from the late 2nd-century BC onwards.

5. The Napoleonic Wars were a series of conflicts fought from 1803 to 1815 between the First French Empire under Napoleon Bonaparte (1804–1815) and a fluctuating array of European coalitions.

6. The rank of Colour Sergeant (CSgt or C/Sgt) was introduced into British Army infantry regiments in 1813 during the Napoleonic Wars to reward long-serving sergeants. They protected the most junior officers, known as ensigns, who were responsible for carrying their battalion or regimental colours to rally troops. This tradition continues today as CSgts form part of a colour party in military parades, and it is from a CSgt that the ensign collects the battalion or regimental colours during ceremonial events. Thus, to be appointed “Colour Sergeant” was considered a prestigious attainment granted to those sergeants who had displayed courage on the field of battle. At this time a single colour sergeant was appointed to each company as the senior NCO. A century later, from 1 October 1913, British infantry battalions were reorganised from eight companies to four, leaving two colour sergeants in each new company. The senior of the pair was appointed to the new rank of Company Sergeant Major (CSM) and the junior to that of Company Quartermaster Sergeant (CQMS). Although the rank of CSgt was then abolished, the CQMS of an infantry company continued to be generally addressed as "Colour Sergeant" until the rank was reintroduced, probably during the Second World War. At this point CQMS became an appointment of the rank of CSgt both in infantry regiments and in the Royal Marines, and remains so today. In other British Army units, the equivalent rank is Staff Sergeant (SSgt).

Wednesday, December 04, 2024

Horrible History: Brace yourself

National Geographic has broadcast a series on UK television titled “Witches: the Truth behind the Trials”. Each episode explores the events in a particular country regarding the trials and punishment of suspected witches. Cinematic reconstructions, new analysis and expert interviews are used to shed fresh light on the most famous witch trials in Europe and North America.

Subtitled “Salem's Hunts and Hysteria”, the episode is a good introduction into the events of 1692. That said, there are a couple of discrepancies that detract from the production. The first is confusing references to the ethnicity of one of the accused, Tituba. Depending on which expert is speaking or whether it is the narrator talking, she is inconsistently described as South American or native American. Moreover, the actress chosen for the reconstructed scenes would appear to be of African American descent. Similarly, she is termed a servant rather than the more accurate description as an enslaved woman. For the sake of clarity, Tituba was an enslaved South American Kalina woman. The Kalina, also known as the Caribs or mainland Caribs and by several other names, are an indigenous Amerindian people native to the northern coastal areas of South America. Today, the Kalina live largely in villages on the rivers and coasts of Venezuela, Guyana, Suriname, French Guiana, and Brazil. All very interesting, but not the focus of this article. Rather it centres on the portrayal of another of the accused, Giles Corey.

The uncredited actor hired for the reconstructed scenes was clearly a bit younger than the 81-year-old Corey, but it was his wearing of braces that caught our eye. The events in Salem occurred in the late 17th-century. The English-born farmer, Corey was accused of witchcraft along with his wife Martha in April 1692. He was arrested but refused to enter a guilty or not guilty plea which was problematic for Salem’s authorities. At the time the common law courts of England [1] thought they lacked authority over a defendant until he or she had voluntarily submitted to it by entering a plea seeking judgment from the court. Evidently, a criminal justice system that could only punish those who had volunteered for possible punishment was unworkable, so a means was needed to coerce defendants into entering a plea. The practice of being “pressed” (known in French as “Peine forte et dure” or “forceful and hard punishment”) was just such a method of torture used on those accused who refused to plead guilty or not guilty to a crime. Those who “stood mute” would have a plank or board placed on their chest to which heavier and heavier weights or stones would be added until a plea was entered. Understandably as the weight of the stones on the chest became too great, the condemned would be unable to breathe and would likely suffocate. So it was for Giles Corey who endured pressing for three days before dying on 19th September 1692.

All of this has been a preamble to discovering the history of braces (“suspenders” in the US). We, at Tastes Of History, were fairly certain that braces of the type shown were not a 17th-century fashion accessory whether in Britain or across the Atlantic in the Colonies. For most of the Mediæval period men wore two separate stockings known as “hose” [2] that went from toe to hip and created a general look similar to tight trousers. They were tied at the waist to either lacing on their “braies” (underwear) [3] or to a separate cloth belt worn beneath their clothing. By the 15th-century conjoined “hose” became popular but these too were still laced with points to a doublet. However, the fashion in 1692 would have been breeches, which were more likely to be held up by a belt, the ages old nemesis of braces.

Jump forward in time to the first half of the 18th-century and on their retail website “www. mensbraces4him.co.uk”, EL Cravatte claims that braces appear for the first time in 1736. Furthermore, they were being worn by none other than Benjamin Franklin. Indeed, an early version of the accessory had emerged in France in the 1700s. Known as Bretelles, these were ribbons or straps of silk that were looped in the buttonholes of breeches to support them. It is far more likely that it was these bretelles that Benjamin Franklin wore concealed beneath his waistcoat (as did Napoleon Bonaparte, apparently).

Gradually, after centuries of hose, close-fitting stockings and breeches, it was the adoption of high-waisted trousers during the 1820s in Europe that rendered belts uncomfortable and impractical for the fashionable gentlemen. Bretelles, the strips of decorative fabric attached to the buttonholes of men's trousers, remained the only means of suspension. The original men’s fashion icon and Regency influencer, Beau Brummell, brought them into vogue. But the sheer popularity of trouser-wearing led to the first commercial production of modern braces, or “galluses” as they were sometimes called in the 19th-century. In 1820 London haberdasher Albert Thurston saw an opportunity and started manufacturing the very first modern style braces. Two years later Thurston brought them to public attention, marketing them as “braces”. His design of 1822 with straps of boxcloth, a tightly woven wool, and leather loops attached to buttons sewn inside the waistband of trousers proved exceptionally popular. Thurston’s straps had an “H back” with both straps running over the shoulders from front to back where an extra piece held the parallel straps together thus resembling an uppercase H. Two further designs soon followed. The first were “X back” braces where the two straps crossed behind the back. Next came “Y back” braces still popular today that introduced two frontal straps merging into one back strap. Finally, with the invention of the metal clasp in 1894 and its subsequent adoption in the manufacturing of braces, trousers no longer required interior waistband buttons.

Interestingly, Thurston was not the sole promoter of modern braces. One of the first patents for men’s braces was issued in 1871 to one Samuel Clemens, better known by his pen name Mark Twain. His patent was for “adjustable and detachable straps for clothing” that could be attached to a variety of men’s and women’s garments such as underwear, corsets and regular trousers.

Throughout the 18th- and 19th-centuries it was neither fashionable nor acceptable for a gentleman’s braces to be visible. Braces worn openly were symbolic of the working-class manual labourers. So, when the hot summer of 1893 led many London office workers to remove their jackets due to the heat, social norms of decency were broken. To avoid accusations of impropriety many men temporarily adopted belt use to allow them to remove their suit jackets while retaining respectability.

A year later, in 1894, saw the invention of metal clips removing the need to attach braces by means of buttons; simply opening and closing the clips sufficed. Many clips have a serrated edge, however, and this can cause damage to the trouser waistband with frequent use. Whether using clips or buttons, braces remained regular attire throughout the 1920s but they were still considered “underwear”. Thus, as waistcoats (vests in the US and Canada), which had effectively concealed braces from view, were worn less often in the 1930s, the switch to belts began in earnest. In 1938 Life magazine reported that 60% of American men had chosen belts over braces. The shift happened earlier in America, but England soon followed when the Duke of Windsor [4] popularised belt wearing. Even when the return of fuller-cut trousers in the 1940s revived braces, they had effectively lost out to belts. Yet braces remain a component of men’s formal attire or out of personal preference and have made a comeback since the mid-20th-century trending as statement pieces.

Bon appétit!

References:

Cravatte, E.L. (2024) “The History of Mens Braces”, www. mensbraces4him.co.uk, available online (accessed 24th November 2024).

Shackelford, C. (2022), “Brace Yourself: A Complete History of Suspenders”, , available online (accessed 24th November 2024).

Endnotes:

1. In 1692 Salem was a colony subject to the English crown.

2. “Hose” refers various styles of men's clothing for the legs and lower body, worn from the Middle Ages through the 17th-century when hose fell out of fashion and were superseded by breeches and stockings. The old plural form of “hose” was “hosen”, words that remain the generic terms for trousers in modern German (Hose, singular, and Hosen, plural). The French equivalent was chausses. Some hose had a foot, some did not. Early hose were single-legged and were held up by being tied to the belt of man’s braies (underwear; see Note 3). They can be worn rolled down to knee or ankle in hot weather, while some poor people just wore simple leg wrappings. In the later part of the Mediæval period, from the 13th-century onward, some hose were attached to the doublet using points (laces) tied through small holes.

3. “Braies”, from Latin bracae meaning trousers or breeches (cf. britches), were worn by Iron Age tribesmen in antiquity and by Europeans subsequently into the Mediæval period. In the later Middle Ages they were used exclusively as undergarments. Braies generally hung to the knees or mid-calf in resemblance of today’s shorts.

4. When King Edward VIII abdicated in 1936, he and his wife, Wallis Simpson, were thereafter known as the Duke and Duchess of Windsor.